Posted by: Julian Ayrs on: June 17, 2008

The Cool School documented the scene at the legendary Ferus Gallery which exhibited a handful of artists who rose up from the dynamic Los Angeles art scene to become a few of the most celebrated artists in America.
Festival organizers promised that the “Cool School” will provide a solid foundation from which to fathom the distinctive creative ”style” conjured up by the legendary gallery artists.
Ed Moses has savored a fifty-year career as a noted non-objective and abstract artist.
He first unveiled his work in 1949 and was part of the original group of artists from the Ferus Gallery who exhibited their work in 1957.
Later, Moses’s career was the subject of a major retrospective at the Museum of Contemporary Art in 1996.
“I’m a painter, inventive, activated. An abstract painting is not a reference; it’s not a picture; it’s a perception of the painting. It goes back to Barnett Newman’s Who’s Afraid of Red, Yellow, and Blue?”
Art historians have argued that his paintings are important for a myriad of reasons.
A number of film buffs at the CineVegas Film Festival were quite surprised to happen across the unassuming Moses – an easy-going kindly gent – as he mixed and mingled in the lounge at the popular Palms Hotel.
In part, his style is made recognizable by virtue of the fact he seldom uses a brush – instead – preferring to stain, knife, splash and facilitate tape and snap lines to achieve straight lines.
He is also known for a series of coastal architectural drawings.
For the most part, the innovative painter was inclined to exhaustively experiment with his materials.
In fact, Moses has been critically acclaimed for his bold composition and innovation.
In his senior years, he remains a high-profile fixture on the Los Angeles art scene, and is respected for his inventiveness as an artist and his attentiveness to new developments in contemporary art.
The artwork of Ed Moses has appeared in numerous exhibitions around the world.
His coveted pieces are housed in prestigious collections at the Los Angeles County Museum of Art, The Art Institute of Chicago, the Menil Foundation, the Museum of Modern Art, The Corcoran Gallery of Art, the Philadelphia Museum of Art and the Whitney Museum of American Art, among others.
Catch him if you can at the CineVegas film festival.
‘Cool school’ is down to earth and the research has already been done. Kristine McKenna has done her work and is to be congraualted. She and Morgan Neville really made the mark. McKenna and Michael Duncan had the first retrospective of Wallace Berman inner Circle in Santa Monica in 2005 which achieved acclaim. Wallace Berman
was to have his first showing at the Ferus Gallery in 1957 when (in an effort to create publicity for the gallery) Ed Kienholz may have called the cops to report the gallery as displaying lude material in an upcoming exhibition of Wallace’s works. When they arrived they found as part of the opening,a drawing by Cameron, a friend of Wallace and arrested him then and there. It was documented in camera stills by Charles Brittin during the 1957 arrest.
There were quite a few artist’s who made their name at Ferus, many who archeived fame, some who did not.
This will be a continuing dialog…
The link to Ferus Gallery artist is:
http://www.ferusgallery.com, which is a webpage in the making.
Joseph Ferris/ Otis Alumni (50’s)
June 18, 2008 at 7:53 pm
Fans,
This great new film, which has already been an enormous success is now available for viewing at iTunes! To watch- click the link below, and you’ll be brought straight to the iTunes store!
http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewMovie?id=281974357&s=143441